Tuesday 29 April 2014

Assignment V

Assignment V



1- Scoping

 

Timeframe and planning: what needs to be done, how it needs to be done

I have 3 months for this assignment.
I have to produce a book.
It has to be done on as professional level as I can.



 2- Creating content

 

Researching subject area.  Writing material.  Editing text.  Sourcing and/ or creating image



Day 1

I have decided to produce a book about colour, that will be in the form of a children's picture book.

I have spent some time on research for this assignment and these are the books I used to make this project as good as it can be.  

 

Research for this assignment 5

 

Children's literature:

 

  • We're going on a Bear Hunt by Michael Rosen and illustrated  Helen Oxenbury
  • Ten Little Fingers and Ten Little Toes by Mem Fox and Helen Oxenbury
  • Blue Chameleon by Emily Gravett
  • Monkey and Me by Emily Gravett
  • Wolves by Emily Gravett
  • Meerkat Mail by Emily Gravett
  • Cave Baby by Emily Gravett and Julia Donaldson
  • The journey home by Frann Preston-Gannon
  • When We're Together by Claire Freedman and Jane Chapman
  • I Love You Night and Day by Smriti Prasadam-Halls and Alison Brown
  • The Night Pirates by Peter HArris and Deborag Allwright
  • Call Me Gorgeous! by Giles and Alexandra Milton  
  • Aesop's Fables by Saviour Priotta illustrated by Richard Johnson
  • The King with Horse's Ears by Eric Maddern illustrated by Paul Hess
  • Little Red             by Lynn Roberts illustrated by David Roberts
  • That pesky rat by Lauren Child
  • The wolves in the walls by Neil Gaiman illustrated by Dave McKean
  • The Day I swapped my Dad for Two Goldfish by Neil Gaiman illustrated by Dave McKean
  • The Hutchinson Treasury of stories to read aloud by Janet Schuman

 

References about the colours

 

  • Colour mixing bible by Ian Sidaway
  • Artist's colour manual by Simon Jennings
  • 500 acrylic mixes by Sharon Finmark
  • Writing Children's fiction by Yvonne Coppard and Linda Newbery
  • How to write a Children's picture book and get it published by Andrea Shavick  



Brainstorm - Assignment V ( Book Design)

 

Look at an aspect of colour theory

 
Based on the book under the title:" How to write a children's picture book and get it published " by Andrea Shavick, picture book should have 32 pages in total, of which 24 have my content on, which means 12 DOUBLE PAGE SPREADS!   For it to work well as a story there should be a BEGINNING (at least 1 spread), MIDDLE (at least 8 spreads) and END (at least 1 spread)
 
 
Ideas:

 

Rainbow (possibly with a chameleon) 

We follow a chameleon through the pages, possibly on the right-hand page the rainbow builds up, ie first page has just red, second page red and orange......

 

The chameleon would change colour each page to match the colour discussed

 

Have 1 spread for each colour, plus white and black as additive colour and subtractive colour. - 9 SPREADS

 

What would the story be?

 

 

Pulling apart a blanket

Intro: 1 - toddler asks granny to knit him something, (he likes her knitted hats and scarves)

 

2 - reveal the blanket, patchwork, made up of 6 colours of the colour wheel plus white and black.

 

Alternative - 1 - Granny knits toddler the blanket made up of the colours.  2 -he loves it, takes it everywhere and likes to pull the threads.....

 

 

Middle: 1 page for each colour, 8 SPREADS.  toddler pulls the coloured thread out of the blanket.  On each page, on the right-hand page is the blanket, getting smaller and smaller as the colour is removed, the wool is pulled out and is seen wiggling around the spread.  Red, for example, reminds him of a post box, green of the grass.

 

On each of the colours a bit of theory, eg orange is a secondary colour, made from red and yellow (maybe show the red and yellow threads coming together to make orange)

 

End: 1 - he is sad because he has pulled out all of the wool, he is left with a big pile of wool, but no blanket.

 

2 - Granny takes all the wool and makes a new blanket.

 

Pulling a blanket apart v. 2

Similar to above, but he takes each strand of wool to a different room because it reminds him of an object, green to the garden for grass etc.  The rooms are not as full of colour as 'making a blanket around the house'.  Probably this would mean i have to get rid of the shrinking blanket.

 

 

Making a blanket around the house

Intro: 1 - toddler visits granny but has left his blanket at home, he is sad.

2 - granny says she will knit him something, (he likes her knitted hats and scarves), she asks him which colour he would like, he says he would like all the colours in the world.....

 

Middle: 1 page for each colour (6 colours of the colour wheel, black and white) and each room of the house, 8 SPREADS.  Eg. kitchen with generally red stuff in background, with a red apple, green wool in the garden like grass etc.

 

In each room he finds some wool, and asks "what is this doing here?".

 

On each of the colours a bit of theory, eg orange is a secondary colour, made from red and yellow (maybe show the red and yellow threads coming together to make orange)

 

 

End: 1 - he now walks around the house, gathering the strands of wool together to find out whats going on, they are all leading to one room.....

 

2 - where he finds Granny knitting him a blanket with all 8 colours, she has finished.

 
 
 
 
 
 
 
I took a picture of books for kids about the colours when I went to the library one day. 

I wanted to create a space which I could relate to therefore I designed a round house with the colours from the tertiary colours wheel.



  I also created a small book of 32 pages to play any time I want and make sure that my idea will fit in the frame of 32 page book.


 


This round house is very helpful with this task as it makes my idea more real and physical. I spent a good one hour designing this little house and as a source of information I used "Colour mixing bible" by Ian Sidaway page 13. I have started my tertiary colours from:

 

red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, red-violet and red









 

 
Day 2


 Today I designed a few boys faces based on my little one picture, my goal was to create a bit older boy however I don't feel like I really succeeded... I m not happy with the sketches and it feels like it is not my style .... 

                                            
                                            Leo 6 months














Day 2

I have changed my plans a lot today.   I'm not sure if I still like the idea for the picture book.  I tried to draw a couple of faces of a little boy based on my son's photo, however I do not feel that this is what I'm looking for - but I wonder what it is that I'm looking for in this assignment.

 

This book has to be fun and colourful since it will be about colour.  It has to contain some part at least that is funny or sweet or cuddly or fluffy - to appeal to the target audience, children between 2 and 4.

 At the moment, I can't see anything that fits the above description in my initial drawings.  The drawing of the boy doesn't look sweet, cute or likeable.  I wouldn't buy this book if I were a customer to be honest.  I need to think again about my ideas and rewrite them.

 I can see the difference in my drawings of the little boy; the reason is I used a light box, which I received as a Christmas present.  It is a very helpful tool for illustrators; however I don't like the smooth look of the drawing.  Somehow the illustration is lacking rough lines that give movement to the picture.

 
Day 3

I came up with a different story which I am very confident about.  I think it will work much better as a story for children.  It is about a cloud that happened to be very sad that appeared in a sunny valley where colourful animals live.  They try to cheer her up, however she doesn't respond to them at all, she just cries (which turn to rain).  They don't realise, but she remembers their colours and the order they appear:

1 - red - squirrel

2 - orange - fox

3 - yellow - wagtail

4 - green - frog

5 - blue - butterfly

6 - indigo - pigeon

7 - violet - mole

 

At the end she becomes happy and creates a beautiful rainbow which she leaves them as a present for cheering her up.

 

This seems a good idea that combines a story about the power of colours, and the animals will appeal to the children.  I am not sure whether I would like to have rhymes the text as some of the best children's books do - perhaps I will use rhymes only at the end of the sentences, but we will see.


3- Design

 

Page set-up, page layout, choosing typeface, inputting and arranging text and image elements

 


















Day 4

I designed the background for the valley.  I used brown paper, string and paint to create it, and will edit it digitally with Photoshop.  I would like to create a beautiful colourful place, where the sun is shining and has a welcoming feel.  This will give a contrast when the sad cloud appears.

 When I am finished with the illustration, I will use it for the main part of most of the pages, therefore I would like to spend more time working and polishing it off.

I have to say something - I can't resist brown string and paper as a combination for collages.  It just feels so ecological and close to nature.









 
first stage for the background
 





 
 

 

Day 5

I am currently working on the animals, trying to create the nicest look for all of them.  I used the book about the wildlife as a source of illustration.  I painted and sketched the squirrel and the fox.  I used the light box to create the same characters, however I am not sure again about the look.  The animals have to be one of a kind, nice and easy to remember for the young audience.  I know I may have to spend a couple of days working on them.

 

 
 
 



 








 



 

 



Day 6

I will create the rainbow which is the main part of the book, I would like it to be as vibrant as I can imagine.  I want to use bright colours but not too 'shouty', if I can say.  Possibly I will use more pastel colours to keep the colours vibrant, but give the images a softer look.  We will see

a

 

b

c
 

I used water based paints for this illustration, then took photos and worked on them on Photoshop. 

 

Which of them do I like the most?
 
Possibly A  as it will blend nicely with the background.
 

Day 7

I have to go back to the background as I didn't like it and now doesn't fit in with the style of the animals.  There was something missing, something that would give it a feeling of depth.  I pasted my scanned hand made paper into that illustration then created a layer that looks like soft grass with some petals.

 


Now I like it more, I will leave it as it is as I do not want to overwork it.

 

Day 8

I have to move to the bigger space.  I just couldn't work on the small paper while I was trying to create the perfect animals.  I was so lucky to have a friend who had an unwanted wall in their garage.  There have been a few times in the past when I have painted lovely paintings and murals on walls.  Once I painted 5 walls in a care home for residents with dementia.  I remember the creative joy and massive space I had to use.  Another time I painted two walls for my baby Leo in his nursery room.  This was space where I was very creative and loved the colours I had available.  The colours of paints that we used for the wall are much very intense and bright.  This is what I need for this project, as I would like to create a book with a texture different to others in book shops.





 

Maybe this is a bad move to start such a big painting but I have to try at least.  I know that it will demand from me a few more days to paint a character on the wall then to work on them on Photoshop.  But it is a risk worth taking.

 

xxx

 

I did spend a few days painting two characters on the wall.  It was a bit difficult to find a perfect moment when there was enough daylight in the garage while my little one was having a morning nap.  I set myself a goal to paint two different characters a day, then to take a good photo of my paintings while there was daylight, so I could easily work on them on the computer in the evening.

 

I am very happy so far.  I will keep doing what I was doing for the last few days.  I can already see a big difference in the way I use a brush to create the animal characters.  My brush lines are much more free and creative if I may say so, using a physical paint brush compared to my graphics table on the computer.


Walking down the street Trying to run from the coming rain I spotted a big cloud that happened to be a perfect inspiration for my main character. I took a picture to be able study that shape bit closer.

 






 
 



 



 

Day 9

These are my animals and I am very happy with them. I haven't finish any of them just to give myself more space and creative freedom in terms of the facial expressions.   I love the colours and the overall look.  Now let's create some movements and make them alive.

 

Day 10

  This is the cloud I have painted on the wall.  I wanted to make a collage from the one I have done a few days ago with string.  However after a few trials I made the decision that it doesn't look spectacular at all.  I will stick only to the wall painting with some work on Photoshop later.  I want to have a cloud that looks sad.  I took a great photo one day while I was walking, I thought that it was a good source of inspiration for Mrs. Cloud.






 

Day 11

I spent the last few days working with the illustrations.  This is what I have created after all.  I decided to place on my blog only one or two illustrations of the animals while they were in progress and the last one as the final illustration.  Otherwise I could take up so much space on my blog with unnecessary pictures.

 

Here are my final illustrations of the animals

 






































Day 12



 

Today I really need to work on the font type and the words themselves.  I wish to achieve a playful, yet professional result at the end.  The font shouldn't be too hard to read at the same time the colour has to be visible.  Will I find the right one to be happy with after all?  I am so focused to make it work as a book, therefore I know I will find the bets one.

 

To make it easy to choose from, I will write the name of the font and if it is italic or not.  Then I will place them on the actual background of the valley.  Yes, I think that is a very good idea.  It should make my choice easy to make.



 

xxx

 

This is a finished page with my top choices and the type size.  According to the website http://childrensbookcreation.blogspot.co.uk/2011/05/typography-for-early-readers.html      the size of the type should be 14-18 pt, therefore I think the font Comic Sans Ms 18pt  looks good to me.  I'm not sure about the colour - should I leave it al in black or should I write in white?

 

The white text works well, however I don't think it will look visible enough on every background.  How about the font Cooper Std 14pt Strong, does it look appropriate for a picture book?  Yes, I think it does.  The shape of the type is round enough and according to this website, the shape of the font should be open and round so parents can read aloud to children easily.  I think that this font and size and colour works the best so far.

 

xxx

 I did change the font to the Daun Penh 30pt Regular as this size looks much better on the page size. The font looks simply enough and easy to read. Segoe Script 60pt Bold is the one that I will use for the title on the front cover. The same one but size 20pt for the name and surname of the author( which happened to be me:)). Daun Penh 16pt for the end papers page 4. Segoe Script size 80pt for the title inside of the book  on page 5.


 
This is all getting more exciting than I thought before.  Choosing a title is a very important of this assignment.  I have to imagine myself in a bookshop and looking at the books.  Which one would I like to buy - or which one would a child like to have, a book with an interesting and playful title definitely.

 

According to the book "How to write a childrens' picture book and get it published", no matter how brilliant your title is, somebody somewhere will change it.  Anyway this book suggests to keep the title fairly short and simple, interesting and make sure that nobody else has used it before.

 

So far, I'm thinking to choose from: "How the animals help to create the rainbow", "The sad cloud and the rainbow", "The animal rainbow".

 

I have done some preliminary research online and found a small number of books with similar titles.  I actually like the style of the illustrations in "l'arc en ciel des animeaux" (The animal rainbow) by Sebastiano Ranchetti, however looking at the content, I am happy that my book is original and tells a completely different story.

 

I think "The animal rainbow" sounds the best idea so far, it is simple and easy to remember.

 

Day 13

Today I have learnt how to create the spine of the book in InDesign.  I am so proud of myself as it looks very good to me.  I watched a short tutorial on YouTube  and I can recommend it to everyone who has just started with this program.  It was very easy to follow and understand.
 


 
 

 4- Pre-production

 

Preparing for print.  Saving and storing. 

 

 
Day 14

I went to the local printing studio to get a quote for a couple of books to be printed and what sort of dimensions I should save the file etc.  I have a few places to go like Prontoprint where they could print for me for a reasonable price.   However the binding is a bit more worrying as it would only be in the form of stapling which I am not happy about.  I would like my book to look as professional as possible, therefore I do not want to staple it as it will look more like a booklet than a proper picture book.

 

There is a another independent family printing studio, however the owner is going on paternity leave  - luckily for him, but not so lucky for me as he is unable to print my book.  Anyway, because of his studio capacity, he would have to charge me over £100 per book, which is quite a lot.

 

I was so lucky to have a third choice, which is another independent business called Copyzone.  I know they were very busy at the moment, however the price quoted was good and it would only take a few days.  I think I have made my choice about the place to print.  Also the best thing about Copyzone at the moment is that they will bind it, rather than staple it, so I think we have a winner!......



                                                                                        page 1 front cover
 
 



            pages 4 and 5

Unfortunately I had some technical problems with pages 6 and 7 to place them on my blog, therefore my story starts from the page number 8.


Page number 8 places next to number 9 looks too different, as thought they have been taken from different books.  They look fine to me individually, however I think the styles I used are too different.

 

         page 8 and 9



This illustration looks like it has a style from 'The Journey Home' in terms of the materials used and the rough shapes of the characters.  The animals, the trees are similar to the style from this book.  I used different materials to create them so the background will be separate from the characters.

       pages 10 and 11


         pages 12 and 13


         pages 14 and 15



        pages 16 and 17


       pages 18 and 19


       pages 20 and 21

 
 
       pages 22 and 23


        pages 24 and 25



      pages 26 and 27




       pages 28 and 29
     

       pages 30 and 31



                                            page 32 back cover





                                                         5- Printing and production




Day 15











I got an unexpected call, I thought there was going to be a problem with Copyzone, but they said they were able to print 10 sample books for me.  When I arrived I was delighted to see 10 copies of my book, printed, fully bound like a finished product.

 

It feels good, much different to any other creative piece I have ever made.  With a painting, or drawing you can see the product developing before your eyes.  However with this book, I finished my work up to the point of a computer file, then it went to the printer, and now it is a physical piece!

 

Because of this, I feel both very proud, but also this distance helps me to be critical of my creation, perhaps more critical than I have ever been able to be before (like with paintings for example).

 

Overall, I am very pleased with the feel of the book, the binding is very good, and especially the front cover (I am glad I did some research into the covers and spine).

 

Overall the book is smaller than my original plan (300mm x 200mm), it now sits at 205mm x 170mm, I have found out that this is the best that the printer could do.  Obviously, there have been many successful and loved picture books that are small, for example The Very Hungry Caterpillar or the Mr Men series.  The size of the pages itself is not an issue for me, however if I were to print the book again I would make some improvements.

 

Due to communication issues, it appears that the printer cut off some sections of most pages, rather than resize them.  In some pages this is not particularly noticeable, however on some pages, Mrs. Cloud is cut in half.  The most disappointing for me The main problem for me is the spread after the violet mole, where, in my digital illustration there were all of the animals on the right hand edge.  Because of the cutting process, now you can only really see the fox and squirrel tails and a pigeon's claw - what a shame since this was the part of the book, when the animals actually come together to make a rainbow with their colours!

 

There are two other areas I would like to focus on, in my self-assessment of my 'finished product', colour and type.

 

Colour

When talking to different printers, they mentioned that colours on my screen will be different to those on the finished, paper version.  I know this is true from previous experience, however in this case the differences are sometimes extreme.  For a project about colour, I am a little disappointed by the way the colours have come out in this version of the book, so this is one area I would look to improve on if I had another chance.

 

Broadly speaking, the book is made up of 3 sections, the beginning and end pages tend to have quite open skies with darker colours at the bottom of the pages.  The middle section, mainly with the 7 colour themes with very little 'open' sky.  I know this part of the book is about the dark cloud causing the rain in the valley, however I think the colour saturation needs to be changed, as it results in pages that are too dark, and the colours lose their vibrancy.

 

Its odd, because when working on my computer, these 'middle' pages were my favourite, however now I prefer the beginning and end.  The front cover is a brilliant example.  With two main colours, green grass and a sand-coloured sky, the background is relatively simple.  Against this simple background are the 7 animals and the rainbow, and in this illustration, I can feel the vibrant colours glowing from the page.  However in the 'middle' pages, I now think there are too many colours, such as blue in the river, green in the grass and tree, red in the apples in the tree.  The most obvious pages that need looking at are the green and indigo rainbows, as these seem to blend into the background so much (even Mrs. Cloud blends into the indigo rainbow in a way I hadn't noticed before).

 

Having worked at my computer for so long, I guess I forgot that it is part of the process to have a physical book in front of me.

 

Type

I am pleased with the potential of my chosen font  Daun Penh 30pt Regular.  With the size of the type and the size of the book, it works well, is easy to read and doesn't look too formal.

 

However (this is why I saved these comments until mentioning colour above), the text in the middle section becomes illegible at times especially on the blue and indigo pages, where you have to make a real effort to find the text.  Again, I feel that the typeset works very well at the beginning and end, where the black colour of the text sits well against the more pastel-coloured backgrounds.  I am particularly proud of the small clouds used to show what Mrs. Cloud is saying the last 2 spreads, as it gives a good background for the text.

 

Again this is an odd reflection of how this assignment has worked out in the end.  Those small clouds were an idea I has at the very last moment to make it clear that the words were from Mrs. Cloud, and they seem to work very well.  Whereas the other speech bubbles in the middle section (such as with the butterflies and pigeon) were a favourite idea early on, but this version makes it hard to read the text easily.

 

Conclusion

Overall I am pleased with my work.  I think I have used the skills and experience from my other assignments, in applying type, colour, paper and content to my childrens' picture book.  While I accept there are some areas for improvement in my physical paper book, some of the problems I encountered may just have happened because it was my first attempt.

 

From one point of view I am still happy with the digital version of my book, but I will certainly (for my own benefit if nothing else) look at some of the areas, such as looking at the colour saturation and making the text more visible in the middle section.  Perhaps as a last impression and one thing that worked surprisingly well - the rainbows that sit across a couple of the double page spreads work well, despite the gutters - this is a good example of a good idea working digitally and also in the paper book.

 

Perhaps it is fitting that at the end of this course, I have finally seen where the digital work and the physical final product both need each other and where one format may look appropriate, the same image in the other format can look surprisingly different, and you need to master both formats.